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  • 国外近期汉学出版物(三十三)

    2018·12—2019·1

    1、张衡の天文学思想

    20190204_052

    时  间:2018年12月
    出版单位:东京:汲古书院
    作  者:髙桥あやの 着

    内容简介:
    序(吾妻重二)
    序章 本书の立场
    第二章 『霊宪?#25252;取?#27985;天仪?#25252;?#27604;较
    第三章 浑天说の天文理论
    第四章 浑天说と尚水思想
    第五章 张衡「思玄?#22330;工?#19990;界観
    第六章 张衡と占术
    第七章 张衡佚文の考察
    第八章 ?#27721;?#20013;占』关连文献に关する基础的考察
    终章 本书?#38886;蓼趣?/p>

    2、楚辞「离騒」を読む——悲剧の?#39029;肌?#23624;原の人物像をめぐって

    20190204_053

    时  间:2018年11月
    出版单位:仙台:东北大学出版会
    作  者:矢田尚子 着

    内容简介:
    第1部 楚辞「离騒」の天界游行とその解釈をめぐって
    第1章 「离騒」の天界游行はど?#38886;瑜Δ?#35299;釈されてきたか
    第2章 シ?#24716;`マニズム论から见た「离騒」の天界游行解釈
    第3章 楚辞「离騒」の天界游行?#24605;à搿?#19978;下」について
    第4章 楚辞「离騒」?#24605;à搿?#27714;策」について——君臣遇合例を中心に
    第5章 楚辞「离騒」の「求女」をめぐる─考察
    第6章 楚辞「远游」と「大人?#22330;工?#22825;界游行
    第7章 『淮?#29486;印护思à?#22825;界游行表现について
    第2部 悲剧の?#39029;肌?#23624;原像の形成
    第8章 王逸『楚辞章句』以前の屈原评価
    第9章 楚辞「卜居」にお?#22561;?#37073;詹尹の台词をめぐって
    第10章 笑う教示者——楚辞「渔夫」の解釈をめぐって
    第11章 「无病の呻吟」——楚辞「七谏」以下の五作品について
    第12章 孔子と屈原
    终章

    3、清末中国の?#30475;?#22827;像の形成:郭嵩焘?#25991;?#32034;と実践

    20190204_054

    时  间:2018年11月
    出版单位:东京:东京大学出版会
    作  者:小野泰教 着

    内容简介:
    序章 郭嵩焘による?#30475;?#22827;像?#25991;?#32034;

    第I部 ?#30475;?#22827;の社会的地位?#20301;?#22797;を目指して
    第一章 ?#30475;?#22827;の商贾化への批判
    第二章 ?#30475;?#22827;どうしの关系悪化への危机感

    第II部 ?#30475;?#22827;像?#25991;?#32034;と西洋政治像
    第三章 渡英直前の郭嵩焘と刘锡鸿の?#30475;?#22827;像
    第四章 郭嵩焘·刘锡鸿の?#30475;?#22827;像とイギリス政治像
    第五章 イギリス政治像と?#30475;?#22827;批?#23567;?/p>

    第III部 ?#30475;?#22827;像?#25991;?#32034;と経学·诸子学
    第六章 民を治める方法?#25991;?#32034;——『大学』『中庸』解釈
    第七章 礼の実践——郭嵩焘の宗法论
    第八章「是非の辩を押し付?#22561;毪长取工取?#24049;を俗と同じくする?#38271;取工?#20811;服——『荘子』解釈

    终章 清末中国の?#30475;?#22827;像の形成とその意义

    5、海底に眠る蒙古袭来:水中考古学の挑戦

    20190204_055

    时  间:2018年9月
    出版单位:东京:吉川弘文馆
    作  者:池田荣史 着

    内容简介:
    鎌仓时代の蒙古袭来时に沈んだ元寇船が発见された长崎県の鹰?#27721;?#24213;遗迹。当时の造船技术や积荷?#32988;嗓?#35299;明に大きな期待が寄?#25252;槨欷毪?#27700;中という困难な环?#38271;扦い说?#26619;は行われた?#38886;?#38899;波探査や?#26118;ぅ些`による発掘作业、映像撮影、実测図作成、船体保存?#32988;傘?#35797;行错误で进められた现场の様子を绍介。水中考古学の手法と今后の可能性を探る。

    7、台湾の法教:闾山教科仪本と符式簿の解読

    20190204_056

    时  间:2019年1月
    出版单位:东京:风响社
    作  者:刘枝万 着

    内容简介:
    第一章 台湾の法教について
      一 前言
      二 法师
      三 教派
      四 巫术
      五 结语

    第二章 台湾の法教资料——闾山教科仪本(刘枝万述/石井昌子编)
      はじめに
        一 资料の概要
        二 科仪本の分类と配列

    第三章 所蔵科仪本
      01 『头坛请神书』 一九二二·四三页·?#36766;?#31070;〉
      02 『请神书全本』 一八七五·一八页·?#36766;?#31070;〉
      03 『请八仙 大献 小献』 一八九八·一七页·?#36766;?#31070;·飨応〉
          (中略)
      13 『送神书』 年代?#32988;貳?#19968;五页·〈送神〉
      14 『鸡歌书全部』 年代?#32988;貳?#22235;二页·〈辟邪〉
      15 『无题(符式簿)』 年代?#32988;貳?#19968;一九页·〈符式〉
          (中略)
      22 『离房书科 全部』 一八九八·三五页·〈教坛?#25991;?#37096;文书〉
      23 『无题』 一九〇〇·四〇页·〈断简〉
      24 『无题』 年代?#32988;貳?#22235;八页·〈断简〉

    ●后编 符式簿の解読

    第四章 総说
      一 符式簿とは
      二 所蔵符式簿について
      三 符令とは
      四 符令の材料
      五 所蔵符式簿の材料
      六 符纸の材质と色
      七 符令の书写器具
      八 符式の文字·记号について
      九 符令の薬用
      一〇 符令の构成と天人相关的宇宙観
      一一 合成伪字と辟邪
      一二 所蔵符式簿の特色および解说にあたっての方针

    第五章 各符の解说
      1号符「玉帝勅……合家平?#30149;梗?#20445;身符)
      2号符「奉玉帝勅……法斩邪鬼」(五雷平?#21340;?br />   3号符「奉勅令、五雷镇煞……妖邪鬼?#32622;?#20129;」(五雷镇煞符)
      4号符「奉勅令、五雷大将军断……妖邪灭亡」(五雷镇煞符)
      5号符「奉勅令、五雷大将军追収……妖魔鬼怪精亡」(五雷収妖符)
      6号符「九天玄女……押退麻煞三煞消除」(治丧门麻衣煞符)
      7号符「佛勅北斗……灭邪无遗」(治病符)
          (中略)
      53号符「庵佛令……神符退灾」(退热治病符)
      54号符「勅令临水、护身神符、清吉平?#30149;梗?#27700;符、安胎符)
      55号符「佛勅令……押出」(治病符)
      56号符「钦奉玉皇鸾驾……亲到中堂奉神位」(太歳符)
      57号符「収除天下无道鬼急消」(辟邪符)
      58号符「勅五雷兵……符到奉行」(押煞治病符)
      59号符「治无名肿毒、消痳鬼悪毒」(辟邪治病符)
      60号符「佛勅令、押斩年家三煞」(治病保身符)
          (中略)
      117号符「雪山圣者降雪、?#35789;?#24515;中退煞」(水符)
      118号符「北方壬癸到……年月日时吉」(水符)
      119号符「勅令、鬼魅出他乡……主人无伤」(押煞?#19979;?#31526;)
      120号符「佛先师发起五方兵马……追収妖魔邪鬼灭亡」(铁甲符、铁甲兵符)
      121号符「紫微交厄灵帝……斩妖精」(発兵符)
      122号符「勅星将军、铁甲兵·六丁六甲収邪」(発兵符)
      123号符「□破天……収邪押煞斩妖精」(発兵符)

    8、古事记と东アジアの神秘思想

    20190204_057

    时  间:2018年12月
    出版单位:东京:汲古书院
    作  者:王小林 着

    内容简介:
    第一章 『古事记?#25252;?#32428;书
     一 『古事记』成书の谜     
     二 反正记の小さな纟口     
     三 神々の风貌
     四 各种文献?#24605;?#24322;常な歯   
     五 『日本书纪?#25252;?#22825;皇描?#30784;  ?br />  六 古代中国の异常风貌
     七 反正记の表现と纬书     
     八 「贯珠」が意味するもの 
     九 『古事记?#25252;摔堡?#24322;常风貌说?#20301;?#33021;
     十 记纪にお?#22561;?#32428;书の受容
      (一)神武东征伝承と纬书 
      (二)「?#32988;窯取?#32771;——建内宿祢伝承と谶纬思想
     十一 『懐风藻?#25252;?#22330;合

    第二章 『古事记?#25252;?#26397;鲜史料
     一 反正记と尼师今伝说     
     二 朝鲜史料·渡来说话と纬书  
     三 脱解王伝承が语るもの
     四 骨品と纬书         
     五 『三国史记?#25252;思?#20117;戸と龙 
     六 『三国遗事?#25252;思?#40857;
     七 井戸と王権·符命      
     八 井戸、池、川、海と昆仑の水界

    第三章 『古事记?#25252;?#31070;仙思想
     一 瑞井と変若水·醴泉と天つ水      
     二 上代文献?#24605;?#20117;戸
     三 孤立した仙?#22330;            ?br />  四 「登岐士玖能迦玖能木実」伝承の意味
     五 洞天·地脉·水界を持たぬ日本の龙   
     六 龙との关系を絶たれる反正天皇
     七 龙と「天つ日嗣」の天下        
     八 龙と革命の思想
     九 异常风貌说の変容——?#36171;?#20154;」から?#26519;?#34523;·酒呑童子へ
     十 古代东アジアにお?#22561;?#31070;秘思想?#38886;ⅳ?#26041;

    第四章 『古事记?#25252;取?#24093;王世纪』
     一 『古事记?#25252;?#27508;史书か    
     二 『古事记?#25252;?#26680;心は何か   
     三 「帝纪」とは何か
     四 反正记と『帝王世纪?#25252;?#25509;点 
     五 『帝王世纪?#25252;?#27508;史叙述   
     六 『帝王世纪?#25252;文?#23481;构成と『古事记』
     七 『帝王世纪?#25252;?#28304;流——叶书·牒
     八 『帝王世纪?#25252;?#36798;成     
     九 『帝王世纪?#25252;?#29983;成论と纬书
     十 「有圣徳」の継?#23567;?#30330;扬と纬书
     十一 『古事记?#25252;?#29983;成论と纬书
     十二 『古事记?#25252;?#25991;章表现と『帝王世纪』
     十三 『上宫圣徳法王帝说?#25252;?#22330;合
     十四 太安万侣が果たした使命

    9、西夏建国史研究

    20190204_058

    时  间:2018年12月
    出版单位:东京:汲古书院
    作  者:岩﨑力 着

    内容简介:
    序文
    第一部 建国前史の研究
    第一章 隋唐时代のタングートについて
    第二章 夏州定难军节度使の建置と前后の政情
    第三章 唐最晩期のタングート?#21619;?#21521;
    第四章 五代のタングートについて
    第五章 夏州定难军节度使の终焉と豊州蔵才族の抬头

    第二部 李継迁の建国运动始末
    第一章 李継迁の登场
    第二章 李継迁の外交戦略
    第三章 李継迁の苦闘
    第四章 李継迁の领域経営と北部?#28216;鰩駿螗癌`ト诸部族の帰趋
    第五章 李継迁の?#29590;轆?#25387;折

    第三部 西夏の建国
    第一章 李徳明の选択
    第二章 李元?#25252;?#35199;夏建国

    総括

    10、西晋朝辞赋文学研究

    20190204_059

    时  间:2018年12月
    出版单位:东京:汲古书院
    作  者:栗山雅央 着

    内容简介:
    序论
     第一节 西晋?#36171;?#36766;赋文学研究とは       
     第二节 左思の生涯とその文学
     第三节 西晋文学び辞赋文学研究にお?#22561;搿?#19977;都?#22330;?br />  第四节 本书の构成と目的
     附节 辞赋よりみる「三国志」——「三都?#22330;工?#27010;要

    上篇 「三都?#22330;?#21069;后の赋作とその周縁
    第一章 汉赋からの?#22363;肖?#21457;展
     第一节 汉赋からの?#22363;?br />  第二节 汉赋からの发展
     第三节 「三都?#22330;工摔堡?#24038;思の苦心   
      
    第二章 「齐都?#22330;怪?#36848;から见る「三都?#22330;工?#26500;想
     第一节 「齐都?#22330;工?#33879;述とその散逸       
     第二节 左思「齐都?#22330;工?#26500;成及び内容
     第三节 徐干「齐都?#22330;工趣?#27604;较         
     第四节 左思「三都?#22330;工趣?#27604;较
     第五节 左思にお?#22561;攵家?#36171;の位置附け

    第三章 「三都?#22330;掛院螭味家?#36171;の展开とそ?#20266;?#23481;
     第一节 「三都?#22330;?#20197;前?#21619;家馗场        ?br />  第二节 「三都?#22330;掛院螭味家?#36171;
     第三节 ?#23478;?#36171;の传?#38271;丐位?#24402;          
     第四节 鲍照「芜城?#22330;工思搿?#19977;都?#22330;?br />  第五节 廋信「哀江?#32454;场工思搿?#19977;都?#22330;?/p>

    第四章 两晋时期の文章创作にお?#22561;搿?#32440;」
     第一节 书写材料の交替に关する从来の理解
     第二节 「书籍」「书简」への限定的利用——后汉から三国时期
     第三节 文人による「纸」へ?#24043;?#30446;——西晋时代
     第四节 文章创作にお?#22561;搿?#32440;」利用の一般化——「晋宋之际」
     第五节 文章创作と「纸」の关系

    第五章 后汉から两晋时期にお?#22561;?#36171;注の确立について
     第一节 两晋时期以前の赋注の发生?#26085;?#24320;
     第二节 曹大家「幽通赋注」より始まる后汉三国时期の赋注
     第三节 韦昭や郭璞?#24043;?#37322;活动?#24605;?#36171;注形式の确立

    中篇 「三都?#22330;工?#35199;晋武帝期の政治·学术
    第六章 左思「三都?#22330;工?#20309;?#20107;?#38451;の纸价を贵めたか
     第一节 「三都?#22330;工?#23545;する同时代评价      
     第二节 左思「三都赋序」?#24605;?#33879;述动机
     第三节 地方志编纂の流行            
     第四节 西晋王朝の平呉政策
     第五节 张华による『博物志』编纂と左思

    第七章 「三都?#22330;?#21016;逵注?#24043;?#37322;态度
     第一节 刘逵注の特异性             
     第二节 刘逵注の引用书の倾向
     第三节 刘逵の官歴               
     第四节 图书搜集事业と知的欲求の向上

    第八章 「三都?#22330;工?#20013;书省下の文人集团——张载注の?#27835;訾?#20013;心に
     第一节 「魏都?#22330;?#24352;载注の特征         
     第二节 「三都?#22330;工?#33879;述と中书省
     第三节 中书省を据点とした著述活动

    第九章 左思「三都?#22330;工?#35199;晋武帝司马炎
     第一节 「三都?#22330;工味?#38754;的特征         
     第二节 ?#35789;?#24615;び类书的性质の成立背景
     第三节 西晋王朝の正统性の主张?#20266;?#26223;      
     第四节 「三都?#22330;工思à?#21496;马氏一族への配虑
     第五节 西晋武帝期にお?#22561;?#20013;书省の役割     
     第六节 左思「三都?#22330;工?#35199;晋武帝司马炎

    结论
     第一节 本书?#24043;?#25324;——洛阳の纸价をして贵からしめたもの
     第二节 「三都?#22330;工?#27867;用性           
     第三节 六朝辞赋文学の再评价

    下篇 译篇
    『文选集注?#25252;?#24213;本とした「三都?#22330;?#36890;释び解说
     凡例 「三都赋序」/「蜀都?#22330;梗竻叶幾场梗?#39759;都?#22330;?/p>

    11、第?#28142;?#19978;海事変の研究:军事的胜利から外交破绽の序曲へ

    20190204_060

    时  间:2018年12月
    出版单位:东京:锦正社
    作  者:影山好一郎 着

    内容简介:
    序章
    第一章 上海事変前の上海共同租界と中国——共同租界の安全保障
    第二章 上海事変前史——日中対立要因?#28909;?#26412;政府·陆海军の満州事変対处
    第三章 上海事変前の上海にお?#22561;?#26085;中対决——武力冲突前日迄の危机?#28909;?#20013;间の応酬
    第四章 「第Ⅰ期:事変勃発期」にお?#22561;?#20891;事と外交——上海事変の勃発の构造(侵略と误认された背景と理由)
    第五章 「第Ⅱ期:事変初期」にお?#22561;?#20891;事と外交——第三舰队及び陆军派遣による桥头堡の设定と停戦?#21619;?br /> 第六章 「第Ⅲ期:事変中期」の陆海军协同作戦と停戦へ?#21619;?#26085;本军の第?#28142;巍?#31532;二次総攻撃の苦戦と外?#25252;?#30828;化
    第七章 「第 Ⅳ期:事変后期」の军事と外交——第三次総攻撃から停戦协议の成立へ
    第八章 日本陆海军?#32428;?#21454;?#28909;?#20013;双方の损害
    第九章 事変?#25991;?#30053;に关する考察——その発想と限界
    第十章 上海事変が日本海军に与えた影响——海军军令部の権限强化から海军?#20266;?#36208;へ
    第十一章 上海事変による外交破绽への序曲——国际连?#36865;?#36864;への加速要因と「リットン报告书」の「第五章 上海」
    终章

    12、戦后日本の〈帝国〉経験:断裂し重?#32988;?#21512;う歴史と対峙する

    20190204_061

    时  间:2018年10月
    出版单位:东京:青弓社
    作  者?#33655;?#21407;达 着

    内容简介:
    第1部 「内地」と「外地」?#38886;悉釘?/p>

    第1章 内地と外地の间で——戦前冲縄の军事的特色(荒川章二)
    第2章 汉诗人の越?#38271;?#24093;国への?#24863;?#21147;」——籾山衣洲の台湾体験を例として(许时?#21361;?br /> 第3章 上海?#24605;?#28216;郭と慰安所の关系性(宋连玉)

    第2部 「帝国」と「戦后」?#38886;悉釘?br /> 第4章 『琉侨管理案?#25252;思?#20914;縄出身者の歴史経験——経験?#38886;妞à?#22330;の关系性を中心に(?#36917;?#24736;介)
    第5章 二つの「大広岛」——「军都」と「平和都?#23567;工?#36143;戦史(西井麻里?#21361;?br /> 第6章 戦争への想いを抱えて——ブラジル日系社会と戦后(ソアレス·モッタ·フェリッペ·アウグ?#25915;齲?/p>

    第3部 「戦后」と「日本」?#38886;悉釘?br /> 第7章 ミシンと「复兴」——戦后冲縄の女性たちの生活圏(谢花直美)
    第8章 「働人(ルビ:はたらきど)」平井正治にお?#22561;?#27508;史との向き合い方——労働运动と民众史と(杉原达)
    第9章 外国人として日本で働くという?#38271;齲?#23828;博宪)

    13、Just a Song: Chinese Lyrics from the Eleventh and Early Twelfth Centuries

    20190204_062

    时  间:March, 2019
    出版单位:Cambridge: Harvard University Press
    作  者:Stephen Owen

    内容简介:
    “Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.

    As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.

    Author Bio
    Stephen Owen is James Bryant Conant University Professor at Harvard University.

    14、China in the World: An Anthropology of Confucius Institutes, Soft Power, and Globalization

    20190204_063

    时  间:March, 2019
    出版单位:Honolulu: University of Hawai’i Press
    作  者:Jennifer Hubbert

    内容简介:
    Confucius Institutes, the language and culture programs funded by the Chinese government, have been established in more than 1,500 schools worldwide since their debut in 2004. A centerpiece of China’s soft power policy, they represent an effort to smooth China’s path to superpower status by enhancing its global appeal. Yet Confucius Institutes have given rise to voluble and contentious public debate in host countries, where they have been both welcomed as a source of educational funding and feared as spy outposts, neocolonial incursions, and obstructions to academic freedom. China in the World turns an anthropological lens on this most visible, ubiquitous, and controversial globalization project in an effort to provide fresh insight into China’s shifting place in the world.

    Author Jennifer Hubbert takes the study of soft power policy into the classroom, offering an anthropological intervention into a subject that has been dominated by the methods and analyses of international relations and political science. She argues that concerns about Confucius Institutes reflect broader debates over globalization and modernity and ultimately about a changing global order. Examining the production of soft power policy in situ allows us to move beyond program intentions to see how Confucius Institutes are actually understood and experienced in day-to-day classroom interactions. By assessing the perspectives of participants and exploring the complex ways in which students, teachers, parents, and program administrators interpret the Confucius Institute curriculum, she highlights significant gaps between China’s soft power policy intentions and the effects of those policies in practice.

    China in the World brings original, long-term ethnographic research to bear on how representations of and knowledge about China are constructed, consumed, and articulated in encounters between China, the United States, and the Confucius Institute programs themselves. It moves a controversial topic beyond the realm of policy making to examine the mechanisms through which policy is implemented, engaged, and contested by a multitude of stakeholders and actors. It provides new insight into how policy actually works, showing that it takes more than financial wherewithal and official resolve to turn cultural presence into power.

    Author Bio
    Jennifer Hubbert is chair of the Department of Sociology and Anthropology and associate professor of anthropology and Asian studies at Lewis & Clark College in Portland, Oregon.

    15、The Dreaming Mind and the End of the Ming World

    20190204_064

    时  间:March, 2019
    出版单位:Honolulu: University of Hawai’i Press
    作  者:Lynn A. Struve

    内容简介:
    From the mid-sixteenth through the end of the seventeenth century, Chinese intellectuals attended more to dreams and dreaming—and in a wider array of genres—than in any other period of Chinese history. Taking the approach of cultural history, this ambitious yet accessible work aims both to describe the most salient aspects of this “dream arc” and to explain its trajectory in time through the writings, arts, and practices of well-known thinkers, religionists, litterateurs, memoirists, painters, doctors, and political figures of late Ming and early Qing times.

    The volume’s encompassing thesis asserts that certain associations of dreaming, grounded in the neurophysiology of the human brain at sleep—such as subjectivity, irrationality, the unbidden, lack of control, emotionality, spontaneity, the imaginal, and memory—when especially heightened by historical and cultural developments, are likely to pique interest in dreaming and generate florescences of dream-expression among intellectuals. The work thus makes a contribution to the history of how people have understood human consciousness in various times and cultures.

    The Dreaming Mind and the End of the Ming World is the most substantial work in any language on the historicity of Chinese dream culture. Within Chinese studies, it will appeal to those with backgrounds in literature, religion, philosophy, political history, and the visual arts. It will also be welcomed by readers interested in comparative dream cultures, the history of consciousness, and neurohistory.

    Author Bio
    Lynn A. Struve is Professor Emerita of History and of East Asian Languages and Cultures at Indiana University, Bloomington.

    16、China: Visions through the Ages

    20190204_065

    时  间:February, 2019
    出版单位:Chicago: University of Chicago Press
    作  者:Edited by Lisa C. Niziolek, Deborah A. Bekken, and Gary M. Feinman

    内容简介:
    Introduction
    Lisa C. Niziolek, Deborah A. Bekken, and Gary M. Feinman

    Timeline

    1 Building the China Collections at The Field Museum
    Deborah A. Bekken

    Section 1 Diverse Landscapes, Diverse Ways of Life

    2 Domestication and the Origins of Agriculture in China
    Gary W. Crawford

    Highlight 1: Zhoukoudian: Peking Man and Evidence for Human Evolution in East Asia
    Chen Shen

    3 China during the Neolithic Period
    Gary M. Feinman, Hui Fang, and Linda M. Nicholas

    Section 2 Ritual and Power, War and Unification

    4 The Bronze Age in China: What and When
    Yungti Li

    Highlight 2: Sanyangzhuang: Life and Death in the Yellow River Floodplain
    Tristram R. Kidder and Haiwang Liu

    5 Written on Bamboo and Silk, Inscribed in Metal and Stone: Varieties of Early Chinese Writing
    Edward L. Shaughnessy

    Highlight 3: Consort Hao’s Inauspicious Delivery
    Edward L. Shaughnessy

    Section 3 Shifting Power, Enduring Traditions

    6 Along the River during the Qingming Festival: A Living Painting with a Long History
    Lu Zhang

    Highlight 4: Conserving a Treasure: Preparing Along the River during the Qingming Festival for Display
    Rachel Freeman and Shelley R. Paine

    7 Men of Culture: Scholar-Officials and Scholar-Emperors in Late Imperial China
    Fan Jeremy Zhang

    Highlight 5: Commemorating a Gathering of Friends: The Lanting Xu Rubbing
    Yuan Zhou

    Section 4 Beliefs and Practices, Symbols and Stories

    8 Daoism and Buddhism in Traditional China
    Paul Copp

    Highlight 6: Sealed in Time: A Manuscript from Dunhuang
    Yuan Zhou

    9 Shadows between Worlds: Chinese Shadow Theater
    Mia Yinxing Liu

    Section 5 Crossing Boundaries, Building Networks

    10 The Silk Road: Intercontinental Trade and the Tang Empire
    Lin Meciun and Ran Zhang

    11 The Java Sea Shipwreck and China’s Maritime Trade
    Lisa C. Niziolek

    Highlight 7: Herbs and Artifacts: Trade in Traditional Chinese Medicine
    Amanda Respess

    Conclusion: Legacies of Qin Unification: A Hinge Point of Chinese History
    Gary M. Feinman

    References
    Index

    17、Opera, Society, and Politics in Modern China

    20190204_066

    时  间:February, 2019
    出版单位:Cambridge: Harvard University Press
    作  者:李孝悌 着

    内容简介:
    Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.

    Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time.

    18、Efficacious Underworld: The Evolution of Ten Kings Paintings in Medieval China and Korea

    20190204_067

    时  间:February, 2019
    出版单位:Honolulu: University of Hawai’i Press
    作  者:Cheeyun Lilian Kwon

    内容简介:
    The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.

    The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture on the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture on the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Kory? period (918—1392), when Northern Song (960—1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Kory? milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Kory? Buddhist painting.

    Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Kory? painting.

    Author Bio
    Cheeyun Lilian Kwon is professor in the Arts and Cultural Management Department and the School of Fine Arts, Hongik University, Seoul. She taught Korean and East Asian art at American University and George Mason University and was curator of Korean art at the Asian Art Museum of San Francisco.

    19、Making China Modern: From the Great Qing to Xi Jinping

    20190204_068

    时  间:January, 2019
    出版单位:Cambridge: Harvard University Press
    作  者:Klaus Mühlhahn

    内容简介:
    Timeline: China, 1644—2017

    Introduction

    I. The Rise and Fall of Qing China
    1. Age of Glory: 1644—1800
    2. Reordering the Chinese World: 1800—1870
    3. Late Qing Predicaments: 1870—1900

    II. Chinese Revolutions
    4. Upending the Empire: 1900—1919
    5. Rebuilding during the Republican Era: 1920—1937
    6. China at War: 1937—1948

    III. Remaking China
    7. Socialist Transformation: 1949—1955
    8. Leaping Ahead: 1955—1960
    9. Overthrowing Everything: 1961—1976

    IV. China Rising
    10. Reform and Opening: 1977—1989
    11. Overall Advance: 1990—2012
    12. Ambitions and Anxieties: Contemporary China

    Abbreviations

    (摘自《汉学研究通?#19969;?#31561;)

      

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    王中王四肖中特管家婆小鱼儿玄机
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